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Watch in HD On the Road (2012)

  • MOVIE page: On the Road (2012)
  • Rate: 6.1/10 total 16,609 votes 
  • Genre: Adventure | Drama
  • Runtime: 124 min | 137 min (original version)
  • Filming Location: USA
  • Budget: $25,000,000 (estimated)
  • Gross: $717,753 (USA) (26 April 2013)
  • Director: Walter Salles
  • Stars: Sam Riley, Garrett Hedlund, Kristen Stewart | See full cast and crew
  • Original Music By: Gustavo Santaolalla   
  • Soundtrack: Hard to Love What You Kill
  • Sound Mix: DTS | Dolby Digital
  • Plot Keyword: Writer | Three Word Title | Male Male Kiss | Gay Kiss | Nudity
Writing Credits By:
  • Jack Kerouac (book)
  • Jose Rivera (screenplay)

On the Road Trailer #2 (2012) - Garrett Hedlund, Kristen Stewart Movie HD On The Road - Official Trailer #3 [HD] On the Road 2012 Trailer On the Road (2012) Trailer [HD] On The Road Official Movie Trailer 2012 (HD) Kristen Stewart, Garrett Hedlund, Sam Riley 





Goofs: Anachronisms: Among Sal's books is a copy of Saul Bellow's "Seize the Day", which had not yet been published at the time of the story.

Plot: Young writer Sal Paradise has his life shaken by the arrival of free-spirited Dean Moriarty and his girl, Marylou. As they travel across the country, they encounter a mix of people who each impact their journey indelibly. |  »

Story: Young writer Sal Paradise has his life shaken by the arrival of free-spirited Dean Moriarty and his girl, Marylou. As they travel across the country, they encounter a mix of people who each impact their journey indelibly.

Produced By:

  • Patrick Batteux known as executive producer: USA
  • Peter Cavaney known as associate producer
  • Francis Ford Coppola known as executive producer
  • Charles Gillibert known as producer
  • Nathanaël Karmitz known as producer
  • Lyse Lafontaine known as local executive producer
  • Jerry Leider known as executive producer
  • Tita Lombardo known as line producer: Mexico
  • Catalina Restrepo known as line producer: Northern California
  • Walter Salles known as associate producer
  • Rebecca Yeldham known as producer
  • Michael Zakin known as co-executive producer

FullCast & Crew:
  • Sam Riley known as Sal Paradise / Jack Kerouac
  • Garrett Hedlund known as Dean Moriarty / Neal Cassady
  • Kristen Stewart known as Marylou / LuAnne Henderson
  • Amy Adams known as Jane / Joan Vollmer
  • Tom Sturridge known as Carlo Marx / Allen Ginsberg
  • Alice Braga known as Terry / Bea Franco
  • Elisabeth Moss known as Galatea Dunkel / Helen Hinkle
  • Danny Morgan known as Ed Dunkle / Al Hinkle
  • Kirsten Dunst known as Camille / Carolyn Cassady
  • Viggo Mortensen known as Old Bull Lee / William S. Burroughs
  • Ximena Adriana known as Oaxacan Girl
  • Sarah Allen known as Vicki
  • Clara Altimas known as Newlywed Woman
  • Leif Anderson known as Chevy Owner
  • Ricardo Andres known as Terry's Father
  • Dan Beirne known as Newlywed Man
  • Tetchena Bellange known as Walter's Wife
  • Glen Bowser known as Denver Police
  • Doug Boyd known as Grocery Store Owner
  • Kim Bubbs known as Laura
  • Steve Buscemi known as Tall Thin Salesman
  • Jason Cavalier known as Disgruntled Driver
  • Joe Chrest known as Virginia Cop
  • Patrick John Costello known as Chad King (as Patrick Costello)
  • Michael Daigle known as Papa Leo Paradise
  • Eric Davis known as Paul
  • Larry Day known as Policeman New Jersey
  • Janyève Denoncourt known as Joanie 17 months
  • Sean J. Dillingham known as Cotton Foreman
  • Paul Dillon known as Montana Slim
  • Joel Figueroa known as Victor
  • Frank Fontaine known as Paul's Father
  • Clara Furey known as Inez
  • Isa Garcia known as Johnny
  • Kyle Gatehouse known as Migrant Worker
  • Barbara Glover known as Okie Woman
  • David Gow known as Parking Lot Boss
  • Marie-Ginette Guay known as Ma Paradise
  • Imogen Haworth known as Nin Paradise
  • Matthew Deano known as Ray (as Matthew Hayes Deano)
  • Robert Higden known as Sam Pharmacy
  • Arthur Holden known as Maitre D
  • Kaniehtiio Horn known as Rita Bettancourt (as Tiio Horn)
  • Terrence Howard known as Walter
  • Omoze Idehenre known as Black Woman
  • Asao Ikegami known as Japanese Co-worker
  • Giselle Itié known as Tonia
  • Daniel Kash known as Henry Glass
  • Joey Klein known as Tom Saybrook
  • Greg Kramer known as Mississippi Gene
  • Neil Kroetsch known as Denver Barber
  • Jake La Botz known as Okie Hitchhiker
  • Jordane Lavoie known as Amy 1 month
  • Roc Lafortune known as Hotel Clerk
  • Adam LeBlanc known as Remi Boncoeur
  • Terry Leonard known as Pecos Truck Driver
  • Alison Louder known as Dorie
  • Bronwen Mantel known as Paul's Mother
  • Rocky Marquette known as Alfred
  • Lilia Mendoza known as Venuzuelan Girl
  • Murphy Moberly known as Ray Lee (as Murphy Ian Moberly)
  • Luc Morrissette known as Old Tramp
  • George Morris known as Old Bartender
  • Coati Mundi known as Slim Gaillard
  • Jacob Ortiz known as Johnny
  • Felix Pennell known as Blond Kid
  • Chris Ratz known as Migrant Truck Driver
  • Niko Romberg known as Migrant Worker
  • Andaluz Russell known as Dona Gregoria
  • Michael Sarrazin known as Irish Catholic Priest
  • Barry Del Sherman known as Dynamite Truck Driver
  • Mark Trafford known as Broadway Sam
  • Gina Vargas known as Whorehouse Girl 2
  • Madison Wolfe known as Dodie Lee (8)
  • Moira Wylie known as Paul's Old Aunt
  • Daniela Wong known as Whorehouse Girl 1
  • Giovanna Zacarías known as Red Head
  • Martin Auguste known as Walter's Jazz Band
  • Wray Downes known as Walter's Jazz Band
  • Martin Heslop known as Walter's Jazz Band
  • Moise Yawo Matey known as Walter's Jazz Band
  • Archie Alleyne known as Slim's Band
  • Jude Charles known as Slim's Band
  • Ronald Johnston known as Slim's Band
  • LaFonda Baker known as Dorothy Banks (uncredited)
  • Bennie Bell known as Towns Person (uncredited)
  • Anthony Bougiouris known as Saybrook Dancer #! (uncredited)
  • Lisandre Bujold known as Extra (uncredited)
  • John Burnside known as Ghostly Hobo (uncredited)
  • Joseph Randy Causin known as Migrant Worker (uncredited)
  • Jeffrey T Ferguson known as Lunchbox Guy (uncredited)
  • Jenessa Grant known as Farmer's Daughter (uncredited)
  • Emily D. Haley known as People on the Street (uncredited)
  • Jennifer Herrera known as Student (uncredited)
  • Kymberly Jenal known as Townsperson (uncredited) (as Kimberly Reed)
  • Veronica Loud known as Dinah Luke (uncredited)
  • Emilie Paquet known as Bar Attendee (uncredited)
  • Mark Rayner known as Neighbor (uncredited)
  • Terry Lee Smith known as Pedestrian (uncredited)
  • Sona Tatoyan known as Maggie (uncredited)
  • Timothy A. Vasquez known as Towns Person (uncredited)
  • Michael Wozniak known as Businessman (uncredited)

Production Companies:

  • MK2 Productions (as MK2) (presents)
  • American Zoetrope (presents)
  • Jerry Leider Company
  • Vanguard Films (in association with)
  • Film4 (in association with)
  • France 2 Cinéma (as France 2 Cinema) (in co-production with)
  • France Télévisions (as France Televisions) (with the participation of)
  • Canal+ (with the participation of)
  • Ciné+ (as Cine+) (with the participation of)
  • MK2 Productions (as MK2)
  • VideoFilmes (in co-production with)
  • Nomadic Pictures (uncredited)
  • SPAD Films (uncredited)

MPAA: Rated R for strong sexual content, drug use and language



On the Road (2012) Review by aayoung from Paris, France
There are very few works of 20th-century American literature that canbe called indispensable to our understanding of our culture. And one ofthese few is Jack Kerouac's On the Road. As everyone knows, it's thethinly-veiled autobiographical account of Kerouac and his friends intheir pointless but exuberant adventures across America. For 50 years,it's been waiting to be made into a movie. Now, at last.

So, everyone already knows the story… well, no; chances are, if you'relike me, you read the book and yet remember almost nothing of thestory. The book burns through its shreds of storyline as if they werejust tinder for the blaze of its energy; the real fuel is the pacing,even with all its redundancy. It's the momentum that sucks us into thebreathless chaos of Kerouac's world. We come away impressed by theenergy, not the content.

Film could certainly have been used to amplify this effect, but this isnot that film. Instead, we have a more conventional treatment, focusingon character development. It's a nice production, with an attractivecast. But the story comes at us very differently from the bookexperience. The manuscript has been rewritten to add breathing spaceand objectivity. We see Sal Paradise, only half-formed at the start ofthe story, pull himself together to become a serious writer. We see theendlessly exuberant Dean Moriarity ultimately coming to grips with theprogressive self- destruction attributable to his amorality, andsuffering. This might be a fair reading of Kerouac's ultimate feelingsabout that part of his life, but it's not the feeling that Kerouacshares with us in the book. We have lost our innocence; our last chanceto revisit it, even for a few hours, is taken away.

I'm not going to rage against this re-conception of the story, though,because it makes other changes from the book that might beimprovements. Several episodes that were censored from the book arerestored in the film. (Some discussion of this athttp://www.univie.ac.at/Anglistik/easyrider/data/BeatEros.htm). So themovie is more historically accurate, and far more sexually explicitthan the book. (That could also explain its delayed US release). In onepoignant scene, Carlos Marx (Allen Ginsberg) is whining to Sal abouthow vulnerable he feels due to his poorly-returned love for Dean. Tothe best of my recollection, that conversation was not in the book(please tell me if you believe otherwise), but was expressed in aprivate letter from Ginsberg to Kerouac many years after the fact. Thiskind of thing changes the emotional flow of the story, certainly, butit adds depth, too.

Few of us will actually suffer nostalgia for the gritty overindulgencesof the Beats. But remember, this came at a time when society wasabsolutely saturated with the message that everyone should be "normal,"safe, predictable. Without the tiny minority of Beats attacking thatmessage, and specifically without On The Road to chronicle that attack,the cultural revolution of the 1960's would have been even moredifficult than it was, and perhaps less effective. Good, bad, or ugly,we must embrace this story.





On the Road (2012) Review by Emiliano from Netherlands
I will try to be as short as I can be in my review, but I am just verysurprised about the very positive reviews on IMDb. For me this wasanother huge disappointment. yes there are great landscapes, thephotography is nice and the actors surely are OK, the music is ofteninspiring, but even if the movie basically tells the same events as inthe book, I found it pretty boring, and above all the spirit of thebook, about freedom etc, was completely gone. Too many scenes are justtaken inside hotels rooms, houses etc, isn't this movie entitled on theroad? Again, regarding the spirit of freedom, in the book surely wasn'tall about sex and multiple partners etc, because that's not at all thefreedom Jack Kerouac was talking about when he wrote it, thesecomponents have been way too much highlighted. I am sorry but I leftthe cinema pretty disappointed, if we had to wait all these year for aversion of the book, and this is the result, well it would have beenbetter to only have the book.





On the Road (2012) Review by coiffuremixte
Walter Salles has made another beautiful, captivating, moving film. 'OnThe Road' is a close adaptation of Kerouac's famous novel which came todefine the beat movement. Sticking to the fictional character names ofDean Moriarty and Sal Paradise (this feels historically faithful asthese are the names used in the book up until a recent re-edition ofthe original text) we follow Sal's attempts to find 'it' in his travelsacross America, and through his relationships, and his attempts towrite a meaningful work of art. Sam Riley is brilliant in the centralrole; natural, sympathetic, captivating. All the other actors areexcellent. What is the real strength of this film is the unpretentiousfilm-making which resists drawing attention to the wealth of talentinvolved in making it, is it perhaps the perfection of this film whichhas tempted reviewers to pick holes or invent flaws, like a true beautyit is sometimes hard for others to resist trying to destroy or defileit? Cinema magic is rare, shame people have trouble recognizing it whenthey have it in front of them.






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